Pre-order your copy today and be among the first to unravel this gripping tale of courage, betrayal, and the quest for justice.

An Exclusive Inside Look into the Robert Telles Murder Trial in “THE LAST STORY: The Murder of an Investigative Journalist in Las Vegas” by Arthur Kane

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BUY NOW! B.R. Bates and Gerald Cliff explore the Detroit murder scene of the 1990s-2000s in THE ‘BABY DOLL’ SERIAL KILLER

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OUT NOW! Mark Ray Cromer’s CALIFORNIA TWILIGHT Unveils the Sordid Underpinnings of Illegal Immigration

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ALL MY FAVORITE PEOPLE by Jill Rice Unveils a High-Stakes Romance of Revenge and Betrayal

LETHAL DOSES: The Story Behind "The Godfather of Fentanyl"

Out Now! LETHAL DOSES takes readers inside the twisted world of the man who brought fentanyl to America

The Lewiston Shootings by Robert Conlin - True Crime by Award-Winning Journalist

NEW AUDIOBOOK AVAILABLE NOW! In THE LEWISTON SHOOTINGS, Robert Conlin Chronicles The Personal Stories Of A Deeply Scarred Community

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OUT NOW! Audiobook version of ABOVE THE GROUND: A True Story of The Troubles in Northern Ireland—a tale of courage, injustice, and redemption by Dan Lawton

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BEYOND THE HEADLINES by Jeff Ignatowski Unwraps the Truth Behind Ten Notorious Serial Killers

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RAVEN by D.K. McLaughlin Unveils a Billionaire Romance Wrapped in Mystery and Redemption

The book cover features the title "BAKER, LIAR, CON MAN, THIEF" in large, bold red letters on a white background. Below the title is the subtitle "ESCAPING THE LAW ONE IDENTITY AT A TIME" and the author's name, DJ ADLER, in black. In the center of the cover is an image of a hamburger. A quote at the top from Eve Porinchak reads: “A true crime thriller with a story of profound love at its heart.” The overall design is simple and focuses on the text and hamburger image.

In BAKER, LIAR, CON MAN, THIEF, D.J. Adler Recounts his High-Stakes Grifter Life and Daring Escapes from the FBI

The image depicts the cover of the book "Of Mobsters and Movie Stars: The Bloody 'Golden Age' of Hollywood" by Joan Renner. It features a black and white photo of a 1920s-style glamorous woman looking over her shoulder, set against a black background. The title and author's name are displayed in an Art Deco font, framed by decorative golden lines that add to the vintage Hollywood theme. The overall design captures the essence of the era and hints at the intriguing and dark tales within the book.

Joan Renner’s OF MOBSTERS AND MOVIE STARS: “The Bloody ‘Golden Age’ of Hollywood” Offers 37 Brilliantly Researched True Tales

Book cover for "My Best and Last" by Jill Rice. The cover features a striking red background with the title in large white font. It includes images of tarot cards, the Three of Swords and The High Priestess, along with a pair of handcuffs and red crystal shards.

MY BEST AND LAST by Jill Rice is a Thrilling Tale of Mystery, Romance, and the Quest for Truth

Book cover for 'Crevice,' the first book in the Earth Hunters series by Janice Boekhoff. The cover shows a silhouette of a roaring dinosaur head on the left, with a man and a woman standing on the edge of a crevice under a starry purple sky. The full moon illuminates the scene. The title 'Crevice' appears in large, white, cursive font.

Have You Read the Wholesome Romantic Mystery, CREVICE? Janice Boekhoff’s ‘Earth Hunters’ Series Gets A New Look!

Book cover for 'Created,' the second book in the Earth Hunters series by Janice Boekhoff. The design features silhouettes of two people facing away from the viewer, standing amidst dense, dark foliage and a light turquoise background. The title 'Created' is written in large, white, stylized font

CREATED is a Romance Adventure Story that Blends Science and Faith—Janice Boekhoff’s ‘Earth Hunters’ Series Gets A New Look!

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THE GABARDINE GANG: Power and Betrayal in Hartford’s Mob Scene by Kevin B. DiBacco is a Son’s Personal Account of Life within a Crime Family in the 1950s and ’60s

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THE LAST JEWISH GANGSTER: The Middle Years

By David Larson | August 16, 2022

Gringo Pistolero—Mexican prison 1968

Light floods my room on a beautiful June morning. I stretch and for once, don’t bump into a footboard or someone else. And I’m not scratching because of the bedbugs. I rub my eyes open, and it takes me a few seconds to realize I’m in new digs. Next, I notice how sore I am everywhere, especially when I touch the lump on the back of my head. Then it all comes back to me. Twisting that broken bottle into Taki’s neck and face, blood spraying everywhere. I hold my hands up to the light. No blood. No cuts.

A fourteen-year-old mondalero knocks on my carraca door and pokes his head in to invite me over to Patricio’s pad. At least that’s what I guess he says. Something about el jefe.

I toss on some clothes and head over. Patricio’s standing by his front door decked out in a red silk robe with matching slippers. He’s proud to show me around his palacio.

So, this is the life of a drug king.

His place reminds me of a suite at a Holiday Inn. Everything’s new. It’s got a massive shower, twenty-five-inch Zenith color TV with remote, wall-to-wall orange shag carpet, sofas, tall lava lamps, and a huge velvet painting of a shirtless matador on the wall.

What is it with Mexicans and this velvet crap?

He winks at his mondalero and says something that makes him blush and laugh before he runs off. Patricio leads me to the patio where servants bring us breakfast. Fresh squeezed orange juice, coffee, huevos rancheros, tortillas, and beans, always beans. We take in the morning under a bright orange umbrella overlooking the prison and farther off, the city of Tijuana.

Patricio grins, “You sleep good, gringo?”

I nod, shoveling a warm tortilla in my mouth. “Yes. I mean, sí.”

“Killing makes you hungry, no?”

“I guess so.”

He picks up his coffee, his pinkie finger daintily pointing out. “You know, I must tell you, I hate gringos. But I never see one in La Mesa with the balls to take down Taki. You do me big favor. Last time I here, Taki take contract on me from otro trafficante. I have many ears and many eyes in here. So, I put knife to his gut but no deep. The reebs…” He opens his robe to expose his belly and taps on his ribs. “They do not let me.”

“Ah.”

“I try. He is, how you say, one tough son of bitch vulture. But no more. He is muerto.” He grins and takes a sip of coffee, a wide smile spreading across his face. “So, Richard, you work for me?”

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By Michael Cordova | August 5, 2022

Latest Launches Coming Soon Read The WildBlue Press Blog Subscribe To Our Newsletters By Genre

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THE TUSKEGEE STRANGLER: The “Nicest” Serial Killer They Ever Met

By Linda Lou Long | August 2, 2022

Jerry Marcus fooled them all. He was “a nice guy,” always helped at home, did well in school, an athlete, and always employed. When things went wrong, he was the first to help clean up the mess. He was the last person anyone suspected of being a serial killer. After Marcus was caught and sentenced […]

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